Installation

Mathieu Merlet Briand takes statistical data and thousands of photos from a web search as his raw material, which he then reworks with image manipulation algorithms that he has developed. The installation #Blue-Screen Temple is reminiscent of the blue screen that serves to indicate a crash in a computer system.

Steampunk is a pavilion constructed from steam-bent hardwood using primitive hand tools augmented with the precision of intelligent holographic guides. Designed by Gwyllim Jahn, Cameron Newnham (Fologram), Soomeen Hahm Design and Igor Pantic with Format Engineers, the installation was built for the 5th edition of Tallinn Architecture Biennale (TAB 2019) in Estonia, and will remain in place until the Biennale’s next edition in 2021.

The main objective of the design is to create a site that naturally attracts visitors and encourages them to play actively. The interaction between visitor and museum was already unique in the folk sports barn. Another aspect that fascinates us as a designer is dealing with architecture and objects from the past, in a contemporary way.

Kansas City, MO. March 11, 2014–A triangular-shaped, glass-walled labyrinth designed by acclaimed artist and Kansas City native Robert Morris is being installed in the Donald J. Hall Sculpture Park at The Nelson-Atkins Museum of Art. This dynamic sculpture will provide visitors with an intimate experience, enticing them to interact with the art by winding through the glass maze. The installation of Glass Labyrinth in the southeast section of the park marks the start of a six-month long celebration of the 25th anniversary of the Donald J. Hall Sculpture Park. The 62- foot by 62-foot by 62-foot, seven-foot-tall labyrinth, which weighs more than 400 tons, will be fully installed on May 22, when a public celebration will be held.

The Armada of Rouen, France, is an event that brings together the world’s largest sailboats and ships, every five years. Faced with the majestic immobility of the most beautiful boats in the world, passersby can take the time to stop on the installation carried out by the Collectif Parenthèse. The proposed scenography is organized in a harmonious dialogue between the geography of the site and the maritime architecture. A succession of vertical lines drawn by a wooden structure of masts and sails that accumulate on the site responds to the horizontality of the sheds, the wharves, the water, and the bank.

To visit an exhibition is to make a journey through a landscape of new information and experiences. The aim of the exhibition is to inform and inspire with an unfolding story through ideas over time. Opened in May 2019, the Barbican’s major new exhibition has been designed by Architects Tonkin Liu. AI: More than Human is an unprecedented survey of creative and scientific developments in Artificial Intelligence, exploring the evolution of the relationship between humans and technology. Part of the Barbican’s 2019 Life Rewired season exploring what it means to be human when technology is changing everything, the exhibition tells the rapidly developing story of AI.

Combining conceptual and real environments, Deca Lab is inspired by some science fiction movies, such as “Blade Runner” and the work of the designer Nery Oxman, which shows the “Krebs Cycle of Creativity” a circular graphic that illustrates how Science, Engineering, Design and Art co-relate and react to achieve results during the creation process. 

PART architects collaborated with KINO landscape architects to design a spatial installation in the form of a vertical park in the new gigantic shopping centre T1 Mall of Tallinn in Ülemiste district. The aim of the structure is to create a common identity for the various levels of the 30-metre atrium and to provide an enjoyable environment for spending time.

RIPOSATEVI (take a rest) is an installation designed by the architect Lúcio Costa for Milan’s Triennial of Architecture, held in the fateful year of 1964. In 2018, the work is presented for the first time in Rio de Janeiro and inside a museum of visual arts – the MAC of Niterói, designed by Oscar Niemeyer. 

“The beach is the place of leisure, work, meetings, sexuality, repression, sleeping, playing, the place the sun and much more. A territory of instability, transformation, and uncertainty. Its thin sand soil forms and deforms to the taste of time and according to desires. One person or several? The crossing of footprints confuses ourselves, indicates multiple possibilities, hypotheses that occupy the imaginary and defy the possibility of prediction. As the day goes on, so do the wind and the tide so that, at dawn, the territory becomes available again, always open to what will come. The beach makes you think about time, about a way of being and not being “.