The 30-square-metre studio was informed by the design of ships, with a ceiling structure designed to evoke an upturned hull and its black rubber coating referencing waterproofing.
The Pottering Shed was designed by Liverpool and London-based Studio Mutt for artist Carola Zogolovich and her husband, developer Roger Zogolovich.
It occupies the site of their 1930s home and is accompanied by a similarly boat-themed extension designed by Mole Architects in a garden to the north.
“The clients wanted a space to write, draw, print, collage – what they refer to as their ‘analogue activities’ – and which provides a visual and climatic connection to the harbour,” said the studio.
“These analogue activities, along with the challenging site constraints, have also driven the construction and materiality of the design, the collage-like appearance of the building being a result of an ambition to celebrate the building’s construction,” it continued.
Where the site steps down towards Poole Harbour, a designated site of special scientific interest, The Pottering Shed cantilevers outwards on a thin concrete base. This base connects to a concrete staircase that leads back up to the main house.
“The building itself is oriented so that it physically appears to gaze out across Pool Harbour,” said Studio Mutt.
“This orientation and outlook provides a space for the client that recreates the other-worldly peacefulness of being out at sea,” the studio added.
Atop the concrete base, plywood panels manufactured off-site have been assembled to create the cabin with a roof that gently rises towards the sea.
The plywood is left exposed internally and coated externally with a layer of scrim and black liquid rubber, decorated with seashells.
Large windows with steel frames offer views out to sea and are painted in a contrasting shade of blue to echo the roof tiles of a nearby boat shed.
“Painted timber battens and a diamond grid of rubber painted scallop shells sit on top of the scrim and provide ornamentation that breaks down the single mass of the building,” explained Studio Mutt.
“At the rear, the pitched geometry of the roof manipulates and reduces in size to become diminutive in height.”
Inside, the exposed dividers of the plywood panels house shelving and storage spaces for the deliberately simple interior.
Studio Mutt was founded in 2017 by Graham Burn, James Crawford and Alexander Turner. The studio’s projects often incorporate characterful elements, such as in the series of sculptures it created for Sir John Soane’s Museum during the 2018 London Design Festival and a colourful pavilion in the Lake District National Park.
The photography is by Jim Stephenson.
Architect: Studio Mutt
Executive architect: Rebecca Granger
Fabrication modelling: Bluedot design
Structures: Roy Gallie, Structure Haus, Heyne Tillett Steel
Project management: Solidspace
Ground works contractor: Morris Construction
Ply cassette manufacture: Tekne Shopfitting
Assembly: Charlie and Andrew Clifford
Painting: Andrew Blackburn
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