Architecture Article

the modern home is filled with elements typical for the studio.

The post fala atelier uses curving wall to separate public and private in this white house in porto appeared first on designboom | architecture & design magazine.

Iranian architect and concept designer Nasim Sehat has developed an alternative living module driven by adaptability for the gig economy. SLICE is described as a “sustainable, people centric, connected, self-contained, and flexible plug’n-play urban solution” targeted at future city dwellers.

the photographer’s mission is to explore ‘lost places’ across europe — he describes himself as part of the group of urban explorers.

The post the beauty of decay photo series depicts long-forgotten european interiors, by michael schwan appeared first on designboom | architecture & design magazine.

How does the built environment–whether fictitious or entirely founded in reality–impact how we experience and process film? From lesser-known indies to blockbuster movies, the ways in which architecture and the built environment inform everything from scene and setting, to dialogue and character development has far-reaching effects on the audience’s cinematic experience. Below, a roundup of everything from recent releases to classic cinephile favorites uncovers the myriad ways in which film utilizes architecture as a means of achieving a more authentic and all-encompassing form of storytelling.

How does the built environment–whether fictitious or entirely founded in reality–impact how we experience and process film? From lesser-known indies to blockbuster movies, the ways in which architecture and the built environment inform everything from scene and setting, to dialogue and character development has far-reaching effects on the audience’s cinematic experience. Below, a roundup of everything from recent releases to classic cinephile favorites uncovers the myriad ways in which film utilizes architecture as a means of achieving a more authentic and all-encompassing form of storytelling.