Month: June 2022

Open BIM is an acronym referring to Open Building Information Modeling and is a universal approach to the collaborative design, realization, and operation of buildings based on open standards and workflows. It is an initiative of buildingSMART and is supported by many leading software vendors in the building industry.

SO-IL Architects has been chosen to develop the conceptual design for a new building for the Williams College Museum of Art (WCMA) in Williamstown, Massachusetts. The project is set to provide the first stand-alone facility for WCMA, and will feature teaching spaces, collections, exhibitions and programs that will transform the museum’s engagement with the campus, as well as the Williamstown community and the Berkshires cultural region. The architecture firm was commended for its “inventive and enthusiastic approach to the museum’s teaching mission”, putting art at the center of academia, student life, the campus, and community.

Hribljane, a small hamlet, is one in a string of few little villages that lie between Rakitna and Cerknica. A deep serenity, bothered only by an occasional encounter with a bear, rules the forests. Investors would like a well-arranged shelter in the land, with enough space to hold a large garden and a dozen sheep. Jazbine stream, running by the ruins of the old mill, crosses the plot, used as a local winter sled slope.

Cities across the Northern Hemisphere are preparing for the upcoming summer months, which are expected to be warmer and drier than average. The European Center for Medium-Range Weather Forecasts warns about temperatures rising above the norm in central and southern Europe this summer. Similarly, the forecast for the Unites States predicts hotter weather and below-average rainfall likely to fuel a megadrought. This poses threats for citizens, especially in larger cities, where heat-absorbing asphalt and waste heat generated by energy use create a “heat-island” effect. It translates to temperatures being up to 10°F (5.6°C) warmer in cities compared to the surrounding natural areas.

In the history of architecture the concept of beauty has always been linked to different factors that represent, mainly, the values of society in a given period. The zeitgeist is certainly crucial to these definitions, so something that was once considered beautiful in the past is likely to be given another connotation nowadays. In this sense, aesthetic preferences in architecture seem to be linked to symbolic references implicit in the construction itself and in its relation with the world. They are preferences that express convictions, ideologies and positions, as well as moral, religious, political feelings and, of course, class status symbols.

Manhattan’s dense landscape has just received another skyscraper, this time designed by a Portuguese Pritzker Prize Winner. At 137 meters high and with 35 floors, 611 West 56th Street, Álvaro Siza‘s first building in New York, was just completed, on the outside. The luxury apartment complex, which is also Siza’s first work in the United States, has several facilities for its residents, such as a swimming pool, a spa, a gym, a playground for children and rooms for events.

Whether in a compact studio in Hong Kong or in a Michelin-starred restaurant, kitchen design requires special attention in order to make the act of preparing food a pleasant experience; with adequate space for all necessary functions and without the need for useless movements. The theory of the “golden triangle” or “kitchen work triangle” was conceived 100 years ago but remains valid and helpful in the definition of layouts and the organization of functions. Basically, the three main elements of the kitchen should be located at each end of the triangle: the sink, the refrigerator and the stove, with their respective functions in cleaning, storage and cooking. According to its principles, each side of the triangle must be between 1.20 and 2.70 meters long, and the perimeter should not be less than 3.96 meters or more than 8 meters.

Immense fame, especially when left behind by a deceased artist, may lead to a hierarchal understanding of their legacy—leading one aspect to overshadow other crucial dimensions of their life and oeuvre. Brooklyn-born Jean-Michel Basquiat’s meteoric recognition as an artist and a cultural influence throughout the 1980s led to his energetic mind-map-like paintings being acquired widely by museums and private collections alike, in addition to being mass-marketed in a variety of products, such as fast-fashion clothing and New York-related souvenir items. Basquiat: King Pleasure, a new exhibition organized by Jean-Michel’s sisters, Lisane Basquiat and Jeanine Heriveaux, breaks down the myth surrounding the late artist’s legendary rise from the gritty streets of 1980s New York to a rarely-achieved artistic success.