Pavilion designs by three emerging architecture practices have been chosen as finalists in the inaugural Hong Kong Young Architects & Designers Competition. Established by the West Kowloon Cultural District Authority (WKCDA), the competition is the first of its kind in Hong Kong, aimed at “showcasing the creativity and potential of local architects and designers still in the early stages of their careers.”
For this year’s Designs of the Year exhibition, London architecture studio Carmody Groarke has created a cave-like interior made from sprayed paper pulp. Dezeen is media partner for the Beazley Designs of the Year awards programme and exhibition, which officially opens to the public today. Set on the basement level of the Design Museum in Kensington, the
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Is it possible to design out terrorism? This is one of the questions we are asking as part of our Good Design for a Bad World talk series at Dutch Design Week. Here are eight proposals that suggest a way forward. Good Design for a Bad World comes to Eindhoven on 21 and 22 October 2017, and
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Located in a former industrial space, the transformative interior renovation of Bed-Stuy Loft includes a restrained design which incorporates unfinished rough materials and muted blocks of color into the existing open-plan apartment. New architectural elements, including exposed steel, raw plywood, and expanded mesh screens, both conceal and reveal areas throughout, creating a series of distinct spaces for living, working and sleeping.
the facilities are connected by sloping roofs which mold to the terrain.
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the 18 peaks pavilion represents the eighteen districts in hong kong, the mountainous terrain of the city and the collective spirit of its residents.
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This article originally appeared on guggenheim.org/blogs under the title “How Analog and Digital Came Together in the 1990s Creation of the Guggenheim Museum Bilbao,” and is used with permission.
This Community Cultural Center exhibits the archeological and textile wealth of Teotitlán del Valle, a village in the Mexican state of Oaxaca. The principal volume, facing the village square, houses the Museum which will host the collections and activities of the present Teotitlán Museum of History. In formal terms, the project is governed by the aesthetics of the immediate context, which determine the height, color, and materials used. The secondary volume contains the Municipal Library and a service zone. The area occupied by both buildings on the site represents just 18% of the whole surface area, leaving a large public space of plaza and gardens. This helps to improve the pedestrian routes passing across the site and connecting with the main square, inserting the new public spaces created by the Cultural Center into the circuit of existing plazas that define the urban structure of the village.
the pralines are arranged in a mosaic that makes them look like a giant chocolate tablet, which has been dubbed the largest chocolate arrangement in the world.
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elevated by 3.5 meters, the building is the first structure in miami beach to be constructed above west avenue’s new height, meaning that all interior spaces, as well as the garage entrance, are well above the flood plain.
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