Predominantly associated with places of worship, stained glass has been used by artisans across the globe for thousands of years in an array of art ventures and installations. Intensifying architecture with vivid color, the process of stained glass refers to a particular action in which glass has been colored via metallic oxides during its manufacture, using different additives in order to create a range of hues and tones.
The term ‘Architectural Forensics’ varies in definition. In short, it refers to the investigation of the built environment, whether that be in relation to crime and injustice or an investigative process to discover the root cause of damage and deterioration in buildings. Often forensic architects are invited to identify potential issues and advise in how to avoid them. The role of this architect is to remain unbiased, identify issues within construction, determine potential causes and suggest solutions. They are to uncover factual evidence, which may aid in future construction or provide answers to issues associated with a particular built environment.
Whether it is a small balcony, access to green space or a private garden, the outdoor space has become a privilege for many, especially upon the dawn of the Covid-19 pandemic and the multiple lock down periods that followed. Green space in the city is constantly under threat, particularly since governments seek to increase housing densities in order to feed a growing demand for suburban development. As a result, the garden and access to green/outdoor spaces has decreased in recent times, as priorities lie in housing as many as possible, often with disregard to beneficial features such as access to outdoor areas in residential developments.
“Since I remember myself, I have wanted to be an architect… I could see the way that neighborhoods were organized. I could see the separation. I could see the frontier areas between the Palestinian community and the Jewish majority,” expresses Eyal Weizman in conversation with Louisiana Channel, in regards to understanding the ‘political significance’ of architecture and the potential of the occupation as a critical tool for understanding the world.
As one of the wonders of the world, the Egyptian pyramids are steeped in rich history and shrouded in mystery. Using their unparalleled resources to create structures on a scale that had never been seen before, the ancients used the pyramid shape to construct structurally resilient and visually powerful icons, surviving the ravages of time. Presenting a new definition in terms of monumentality, these architectural marvels remain a timeless and influential form for design concepts today.
On the UNESCO International Day of Light, The Daylight Awards announced the 2022 Laureates: Yvonne Farrell and Shelley McNamara from Grafton Architects (Ireland) for their use of light in architecture, and Anna Wirz-Justice (Switzerland) for her extensive daylight research. Releasing footage offering an insight into the winning works, The Daylight Awards present international excellence in daylight research and practice and the humanistic approach to celebrating light.
Housing objects of artistic, cultural, historical and scientific importance, the term ‘museum’ is derived from the Latin language. In regards to classical antiquity, in Ancient Greek ‘mouseion’, meaning ‘set of muses’ was a philosophical institution, a place for contemplation and thought. These muses refer to the 9 muses in Greek mythology, the goddesses of the arts and sciences, and patrons of knowledge. Early museums’ origins stem from private collections of wealthy families, individuals or institutions, displayed in ‘cabinets of curiosities’ and often temples and places of worship. Yet these ‘collections’ are predecessors of the modern museum, they did not seek to rationally categorize and exhibit their collections like the exhibitions we see today.
The dawn of nuclear power, dramatic advances in rocketry and the desire to be the first to put men into space and on the moon, kick-started an era known as the ‘Space Age’. Upon the closure of WW2, both the Soviets and the Allies found themselves in a state of antagonism, as they both began to struggle to make advancements in space exploration before the other, a race for space. The era would give way to rapid advancements in technology and huge accomplishments including the moon landing in 1969. The Space Age aesthetic completely changed the way designers visualized the new world and left a dramatic impression on architecture and interiors. A new vision of futurism and prosperity.
Depicting architectural visualizations of the future is no easy feat, so it makes much sense for designers to use aspects of our existing architecture as a foundation for these fictional worlds. Despite recent advancements in terms of animation technologies and CGI, there is still substantial use of existing architecture to provide tangible structural elements in film.
NOWNESS relaunches its interior design series ‘IN RESIDENCE’ with new episodes featuring Brigette Romanek and Eduardo Neira, Roth. Exploring the homes of various artists, architects, and designers, Mexican director Fernando Cattori delves deep into the Mayan jungle to visit the Tulum home of environmentalist and architect Eduardo Neira, Roth.