the architects wrap the plot in a continuous wall that is slightly opened on one side, as if peeling back packaging.
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Designed during the pandemic, this project emerges as a critical reflection on contemporary commercial spaces and their ability to adapt to new models of living, working, and consuming. Rather than being an immediate response to the health emergency, the proposal stems from a deeper question: how should architecture respond to a reality demanding long-term flexibility, efficiency, and urban responsibility?
In the morning, children learn math in the primary school, and in the afternoon, piano lessons in the music school. And in the evening, members of the town band meet to make music together. The new education campus in Oberwart is a lively place for the entire town.
reclaimed doors and windows were restored and fitted with stained glass.
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In a 142-square-foot kitchen, every inch counts. So a peninsula slicing the space nearly in two wasn’t doing this young family any favors. Living in a 1925 Craftsman in Philadelphia’s Mount Airy neighborhood with two small kids, the owners wanted a la…
the scientific study led by galdric santana roma identifies geometric, structural, and compositional evidence consistent with gaudí’s methodology.
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Beit Hawa, is a residential project in Uptown Cairo shaped by the ethos of morphosis, where the interior architecture functions as an adaptive system rather than a static arrangement. The design moves away from rigid modernist typologies, employing fluid spatial sequences that negotiate transitions between private and public zones. Surfaces and volumes are defined through layered materiality, integrating light, texture, and structural clarity into a coherent spatial syntax. Circulation operates as a generative element, creating smooth shifts that dissolve conventional boundaries between functions.
A revitalized canning factory in a coastal Portuguese city, a memorial park in Ethiopia, a small-town Brazilian home, a wooden pavilion evoking Bahrain’s heritage, and 11 other visionary projects comprise the winners of the 2026 ArchDaily Building of the Year Awards. Chosen over three weeks of public voting, the winners are representative of the current architectural landscape, reflecting a diversity of approaches, materialities and aesthetics, while also showcasing common threads across cultures.
When Hong Kong’s architectural story is told, it is often reduced to a handful of icons. Many people most readily name I.M. Pei—Pritzker Prize laureate and architect of the Bank of China Tower in Central (1990), as well as global works such as the Le Grand Louvre in Paris and the Miho Museum in Shiga. Looking elsewhere, one also encounters a long lineage of British and international architects whose imprints have shaped the city’s institutional skyline: from Ron Phillips’ civic works—most notably the former Murray Building (1969), now The Murray Hotel, and Hong Kong City Hall (1962)—to Norman Foster’s infrastructural and corporate monuments, including the Hongkong and Shanghai Banking Corporation (HSBC) Tower (1986) and Hong Kong International Airport (1998), and, more recently, Zaha Hadid Architects’ The Henderson (2024).
Set within a coastal bushland landscape, Ironbark House forms a retreat from the complexities of contemporary life. The clients’ aspirations focused on connectivity for their busy family of five and a relationship to the landscape. The architecture is intended to assimilate into the landscape’s strong presence, the large span openings, and ‘as local as possible’ materials form this strong connection.
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