Articles by Romullo Baratto

The recent success of Parasite, the award winning film directed by South Korean director Bong Joon Ho, has created a conversation around the emphasis of architecture and interior spaces in movies. This particular film does an excellent job of blurring the boundaries between the two disciplinary fields, to the point where the architecture is not just the background of the set, but it has been placed at the forefront of the storyline, and takes on the leading role in many scenes.

Mulher, Mujer, Woman, or simply MMW, is an online platform dedicated to architectural representations, whose objective is to spread the women’s production within our professional field. Created by the Brazilian architects Carol Vasques and Débora Boniatti as a reaction to the still scarce diffusion of female references, the platform seeks to “highlight the importance and relevance of women in the past, present and future of the profession.”

Users now can virtually visit museums all over the world thanks to Google Arts & Culture. The project offers 360 ° views of places that can often be inaccessible due to financial costs or distance.

With a vast built heritage, Lisbon’s contemporary architectural production is rich in rehabilitation projects. Lacking space for new buildings – unless one is willing to pay for the land’s high market price – Lisbon’s current architecture prescinds tabula rasa and faces the challenge of working with what already exists – often limiting itself to design only interior spaces. 

digital collages with soft colors, still images or moving GIFs, Kim shows a ludic look over these buildings that are more than 5 decades old.

With more than 40 years of professional experience, Yvonne Farrell and Shelley McNamara, partners and co-founders of Dublin-based Grafton Architects, are the first women to be jointly awarded the architecture’s highest honor, the Pritzker Prize. In addition to a very welcoming breath of hope towards greater female representation in the field, the selection also cast light over an equally urgent theme in the profession: recognizing architecture practice as a collective effort.

Architecture enjoys a close connection with moving picture, perhaps because of the limitless imagination it allows. Our mind can be taken far away to utopian worlds where we live different realities with our eyes and skin; movies can carry us to new and distant places, where we face new unusual realities.

Angola, like many African countries, is experiencing a process of rapid urbanization. For the most part, these changes are happening under little to no regulation, filling cities with spaces that lack the infrastructure to provide a basic quality of life for residents. However, in spite of this unregulated development, it’s worth noting the quality of contemporary architecture being produced in the second-largest Portuguese-speaking country, where projects draw inspiration from the strong local identity and blend with modern materials and technology.

In this article, we highlight 4 current projects in Angola. While it is a small sample, not only from the capital city of Luanda, but from smaller cities as well, it showcases the richness of Angola’s local architecture–an art form that deserves worldwide recognition.

Architecture theorist, historian, and curator Beatriz Colomina talks about our discipline and its difficulty to accept the work as the result of a collaborative effort. When asked about sexism and gender issues within architecture, Colomina broadens the discussion and tackles the historical myth of architecture as the product of one single, brilliant – and always masculine – mind. A fiction that has obscured the role of a number of women, and whole teams, committed to the design process.

Junya Ishigami is one of the most outstanding young Japanese architects of present time and he has obtained recognition due to his experimental approach of the project development. Sensitive to the specific local features, Ishigami puts, at the heart of the debate, key architectural issues that sometimes might be abandoned in the daily practice. Time, tension and freedom are concepts that are always present in his production somehow, becoming more visible in most of his recent works.