Articles by Romullo Baratto

Photography is still one of the most widely used means of representation and communication in architecture. Although it does not incorporate the temporal dimension, the level of fidelity with which photography represents the other three dimensions of the built world makes it one of architect’s favorite tools to convey their buildings.

The Lisbon Architecture Triennale announced the long-awaited list of finalists for the third edition of the Début Prize, which aims to recognize offices and collectives whose artistic consolidation is still developing and whose thinking and approach are relevant to contemporary architectural scene.

“Films have been studied by architects and other professionals who are interested in the field of architecture and urbanism because they offer a more subtle and responsive perspective of our discipline,” Finnish Architect and Professor Juhani Pallasmaa tells us. Through its technical and aesthetical particularities, the cinema can go beyond simple representation to be a powerful instrument for conveying ideas and concepts related to architecture and urban space.

With the popularization of virtual reality and augmented reality, new ways of exploring architectural representations have become available to professionals and students. Immersion in three-dimensional digital models is increasingly common, whether through a computer screen, smartphone or VR headsets. In light of this reality, which seemed overly futuristic up until a few years ago, the online platform Tour Fácil has launched a free plugin that can view exported 360-degree images from SketchUp in virtual or augmented reality.

Japanese architect Kengo Kuma won the closed contest to design the expansion of the gardens of the Gulbenkian Foundation in Lisbon and the new entrance of the Modern Collection of the Gulbenkian Museum. The result was announced last Saturday by the Portuguese newspaper Expresso.

Japanese architect Kengo Kuma won the closed contest to design the expansion of the gardens of the Gulbenkian Foundation in Lisbon and the new entrance of the Modern Collection of the Gulbenkian Museum. The result was announced last Saturday by the Portuguese newspaper Expresso.

While visiting a city one has never been to before, it is common to go to touristic places, the ‘must-see’ spots advertised in the media. On the other hand, when establishing residency in a place, it is likely that one will start to attend some less popular locations, and will often spend a long time without passing by the city’s most famous touristic sights. Artist Eric Fischer has developed a project that explores precisely the difference in perceiving – and photographing – a city from the point of view of tourists and locals. The work, which is entitled Locals and Tourists, gathers the maps of 136 of the largest – and most visited – cities in the world.

Traveling around Japan can be an impressive experience for a Western tourist – especially if they have some connection with architecture. In addition to the huge cultural differences, the country is known for its rich architectural production – eight of the 42 Pritzker Prize laureates are Japanese – which has maintained its consistency since the 1960s.

Of all arts, there is one that is truly capable of embracing architecture, and that is the cinema. The ability to represent spaces, moving in the course of time, brings cinema closer to architecture in a way that goes beyond the limitations of painting, sculpture, music – for a long time considered to be the art closest to ours – and even of dance. Both in cinema and in architecture space is a key subject, and although they deal with it in different ways, they converge by providing a bodily – and not only visual – experience of the built environment.

Among the most renowned and well-established offices in the world, OMA – Office for Metropolitan Architecture, founded in the 1970s by Rem Koolhaas, Elia Zenghelis, Madelon Vriesendorp, and Zoe Zenghelis, is definitely part of the pantheon of the most famous. Curiously, although it receives large commissions and has already built several emblematic works in different countries, the office is often associated with an approach that is less focused on architectural design, going beyond the strict limits of the disciplinary field and encompassing other areas of practice.