Articles by Fabian Dejtiar

Can current design and manufacturing technologies be incorporated into vernacular and traditional construction techniques? On the IE University campus in Segovia, a group of researchers from IE University, Princeton University, and the University of Bergamo built an unreinforced masonry structure called innixAR that demonstrates how digital technologies can enhance craftsmanship. This pavilion explores the intersection between the latest augmented reality (AR) innovations and 4D funicular design to allow vault craftsmen to build masonry structures without the need for physical guides and costly temporary molds.

From Costa Rica, architect Bruno Stagno not only reflects on how responses to the environment can be the main basis for inspiration and identity in architecture but also proposes going a little further, with contemporary tropical architecture for an entire latitude.

The 18th Venice Architecture Biennale is scheduled to open on May 20, 2023. Curated by Lesley Lokko, it will have the theme “The Future Laboratory“, presenting the African continent as a driving force in shaping the world to come. Through 63 national pavilions, 89 participants, and nine parallel events throughout the city, professionals from a wide range of disciplines and backgrounds were invited to explore new possibilities.

The Diversity in Architecture Prize (DIVIA) was awarded to Italian architect Marta Maccaglia, founder of Semillas, for her commitment to educational construction in Peru. This international recognition of 20,000 euros aims to promote the visibility of women in the architecture industry. Among the five finalists of this edition were Tosin Oshinowo (Nigeria), May al-Ibrashy (Egypt), Noella Nibakuze (Rwanda), and Katherine Clarke and Liza Fior (United Kingdom).

The 15-story residential building designed by MVRDV in Montevideo, Uruguay, has been approved for construction. Named “Ziel,” the project consists of individual homes creating an open and permeable environment that allows light and air to flow through the structure, resulting in spacious green spaces for the enjoyment and coexistence of residents. This project is MVRDV’s first in Uruguay, designed for developer IXOU in collaboration with Monoblock’s executive architecture.

The ninth edition of Concéntrico, the international festival of architecture and design in Logroño, was inaugurated on April 27th to once again promote dialogue between the city, heritage, and contemporary architecture. Until May 2nd, citizens will have the opportunity to rediscover their urban environment alongside the work of more than 60 professionals from 15 different nationalities who have proposed an extensive program with 21 interventions, meetings, and activities.

From April 20 to 30, the second edition of the Model: Festival d’Arquitectures de Barcelona took place, debuting a new theme, Radical Empathy, and a new location, the surroundings of the new Parque de las Glorias. This year, managed by the Fundació Mies van der Rohe, the event turned the city into a laboratory of experimentation and dissemination of architectural and urban thought, providing an opportunity to rethink new models and new imaginations of the city.

The city of Panama has been experiencing an architectural rebirth. Buildings that have become outdated and deteriorated over time are now being renovated, restored, and modernized – and one of the main offices carrying out this task is Sketch, an architecture studio that defines itself as “energetic, multidisciplinary, and a firm believer that design should be both smart and fun.”

The architecture firm MAD Architects, based in Beijing, China, has presented the design of its first project in South America, the mixed-use “Qondesa” tower in Quito, Ecuador, which will soon become the tallest building in the city.

Alejo Martínez, one of the main builders of Argentine modernity, turned the city of Concordia into a reference of the South American modernist movement. His extensive work on houses, such as Casa Péndola Díaz from 1925, Casa Marcone from 1928, or Casa Camaño from 1930, “changed the typology of the ‘chorizo’ house to compact housing, where straight volumes stand out, staggered from each other, and with terraces”.