Readers of ArchDaily and Strelka Mag have selected a shortlist of 15 architectural projects nominated for the joint ArchDaily & Strelka Award, which celebrates emerging architects and new ideas that transform the contemporary city. The second stage of voting, which will last until August 31st, will decide the three winners.
Deciding where a building should go is a complex negotiation of visible and invisible, objective and subjective forces. Architects perform site analysis in order to identify and choreograph all these factors, but which factors do they focus on? This video is a survey (pun intended) of what goes into locating where a building should go on the Earth’s surface. From legal requirements like lot lines and setbacks, to infrastructural concerns like service hookup locations and pedestrian ways, to environmental factors like sunlight and topography, the video goes through how architects and contractors position structures. In addition to reviewing general rules of thumb, the video also includes some important architectural examples like the Casa Malaparte and OMA’s Student Center at IIT to inspire unique ways to approach the subject.
ArchDaily, Strelka Institute, and Strelka KB have selected a long list of 50 architectural projects from Armenia, Belarus, Estonia, Georgia, Lithuania, Moldova, Russia, Ukraine, and Uzbekistan for the second edition of The ArchDaily & Strelka Award. The open call invited emerging architects to submit their built projects that emphasize sustainability, research-based and participatory design, and the innovative use of materials. Architects and architecture and design firms that started their practice no more than 10 years ago could apply with projects that were built in the past five years.
The unbuilt design of a home for Josephine Baker by the architect Adolf Loos is perhaps one of the most analyzed unbuilt homes of Modernism. Its design and history touch on a number of complex social and political issues during the early 20th century. The design comes when Josephine Baker, an African American entertainer is beginning her rise to superstardom and represents a thoroughly modern and fresh artistic voice. Meanwhile, Adolf Loos was a physically ailing man on a steep moral and social decline. The house itself was never truly commissioned by Baker, rather it lives mostly as a fantasy concocted by the architect. This video presents the house through a 3D model and narrated walkthrough to discuss how and why the house was designed and allow you to explore this unique house for yourself.
What’s in a name? Well, when it comes to building names, it can be a lot. While some monikers are fleeting and change with the most recent highest bidder, some names are indelible and leave a lasting mark on the public imagination. Client names, towns, corporations, and streets provide ample naming fodder, but some architects are more strategic. Architects like Peter Eisenman created a numbered series (House I, House II, etc.) , or MOS architects adopt a composer-like generic naming system (House with 10 trees, House with 2 Chimneys). For these architects, the name situates each building within a larger collection of projects. It ensures people will consider each act of building as part of a grand plan. Finally, sometimes, no matter how diligent a marketing team tries, a building will find a nickname it just can’t shake…Gherkin. This video considers all these as it explores how buildings get their names.
The Resor House was a hugely pivotal project for Mies van der Rohe, in both his life, and his career. It was his first commission in the United States and prior to landing in Chicago, he lived for two months on the site of the house near Jackson Hole, Wyoming. Its design was unique for Mies in its rural landscape setting and material choices, mainly its wood-clad exterior and interior. While it was never constructed due to cost overruns, the design documents and working models were collected by MoMA in NY, where the client, Helen Resor was on the Board of Directors. This video traces a digital reconstruction of the house — using those archival documents — to serve as the subject of an in-depth tour and analysis. What sorts of discoveries are to be found inside this unbuilt masterpiece?
Some of the best architecture by today’s foremost practices is revealed as the World Architecture Festival (WAF) Awards announces its 2021 shortlist, celebrating buildings and landscapes to have been completed across the world between 2019 and 2021. The 200-strong shortlist has been selected from over 700 entries from countries ranging from China and Japan to Mexico and Ecuador.
Next August 9th at 17:00 BST (12:00 EST) ArchDaily and The Architecture Drawing Prize will be hosting a free-to-attend, live drawing workshop on Zoom with Narinder Sagoo, Art Director at Foster + Partners heading up the practice’s Design Communications team and Jason Parker, Director at Make Architects who initiated The Architecture Drawing Prize to give an international platform to the topic.
Today, worldbuilding is an important part of creative thinking in a wide array of activites. From successful film franchises, to video games, and to comics, worldbuilding is what draws in audiences and allows multi-part productions to cohere around a shared setting. Of course, architecture factors into this too, it is the creative and technical discipline concerned with building the world, after all. This video breaks down how worldbuilding applies to architecture and focuses on comics as a case study to explore the opportunities in its consideration. Lastly, the video includes an interview with the designer of the exhibition ‘Chicago Comics’ currently on display at the Museum of Contemporary Art. Thomas Kelley discusses how worldbuilding factored into the relationship between architecture and comics in the design of the show with regards to scale, entry sequences, and color.