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Arquitectura Libre: Capturing Mexico’s Self-Built Custom Works of Architecture with Adam Wiseman

September 25, 2020 Mónica Arellano 0

In Mexico, self-construction has been a topic heated debate between its advocates and opponents; however, this doesn’t diminish its prevalence throughout Mexico and the world. Over the past few years, initiatives on the part of architects have driven the creation of instruction manuals for do-it-yourself builders as a way to promote health and safety in self-construction and to also provide insight into building materials and techniques. In many ways, the initiative has improved the self-construction process, a fact evident in the increasingly visible creations seen throughout Mexico.

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Coloring Architecture: Download Carmelina&Aurelio’s Second Book for Free

July 16, 2020 Mónica Arellano 0

Taller de Arquitectura Carmelina&Aurelio, by Tuxtla Gutiérrez in Mexico, has launched a coloring book with illustrations of famous architectural works. Due to the success of the first edition, the studio has just published the second volume of the series, with illustrations of works by Zaha Hadid, Kengo Kuma, Rozana Montiel, BIG, and Eileen Gray. The digital book in PDF format is available for free on the studio website.

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Architecture and Landscape: Houses that Highlight the Territory of Arizona in the United States

July 4, 2020 Mónica Arellano 0

Arizona is located in the western region of the United States. It has geographical borders with Utah, Colorado, and New Mexico, in the United States, as well as with Sonora in Mexico. The state is also situated on the Sierra Madre Occidental and is home to a segment of the Colorado River, as well as the Grand Canyon. Part of Aridoamerica, Arizona’s landscape is composed, in its majority, of Cactaceae and desert species.

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Illustrated Movie Set Plans from ‘Parasites’, ‘Pain & Glory’ and ‘Jojo Rabbit’

May 2, 2020 Mónica Arellano 0

Floor Plan Croissant is a project directed by Boryana Ilieva founded to examine cinematographic spaces and bring the spatial language of the director to her own architectural understanding. However, later these translations took a social turn: as an architect and cinema lover, Boryana perceives a general gap between cinema and architecture, or in other words, a space that allows architects to explore beyond the screen. With this in mind, her work is based on extracting the plans from the main protagonist places in outstanding films, since she believes that a movie theater plan forms a phantom matrix around which the directors not only construct arguments, but rather they also place hidden messages.